Tag Archives: macintosh

Such Low Heights

In an interesting case of ‘who had the rights,’ it’s been widely reported on the web that Apple’s first video ad campaign promoting the new ‘Intel Inside’ Macs is a blatant rip off of one of my favorite bands music videos. Here is an excellent sie-by-side comparison created on the ‘Cult of Mac’ site.  The Postal Service is one of many side projects of Death Cab for Cutie frontman Ben Gibbard, and their video for ‘Such Great Heights‘ is a frame-by-frame match to the Apple spot, showing bunny-suited lab techs in a clean room, carefully lifting out some precious silicon, etc. It turns out that the same director created both the Apple Intel ad and the Postal Service video. Unclear if he had rights to essentially duplicate a product for a commercial service without the band or label’s blessing, though. Ben chimes in on the controversy with a note on the band’s website saying that “We did not approve this commercialization and are extremely disappointed with both parties.” The band’s label could, conceivably, have approved reuse of the video which one would think they might own.

Long story short – I love the Postal Service, and can’t wait to get my hands on a MacBook Pro (at least when the 12″ is available). But like the controversy over the recent ‘orange’ Eminem iPod ads which bore their own uncanny resemblance to a Lugz campaign, this is fishy. I hope Apple comes out and clears this up soon.

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Aperture Anxiety

In an exhaustive review on ars.technica, serious concerns are raised about the RAW import/translation capabilities of the new monster app from Apple. While they rave about the UI and organization tools in Aperture, they point out that the output from the program includes far more noise than any professional would tolerate in the images. Basically, the program is getting hammered in reviews. Studio2f.com points to one commenter on Slashdot who said it like this:  ‘Photoshop is the darkroom. Aperture is the light table. If you don’t understand this, you’re not in the target market.’ While that sounds dead-on right, I’d have to say that crappy RAW handling is something that any pro-level workflow tool simply cannot have.

From the red channel framegrabs in the Ars review, I suspect that Aperture is using a JPEG as a transitional format for display purposes despite the fact that the source is a RAW file. iPhoto has always done this – claimed ‘RAW’ support but actually converted all the files to JPEG. Ars sums up the problem thusly:

Many of you probably are hearing the alarm bells and you should. The whole premise of this program, and the RAW format itself, relies on quality input for quality output. If the RAW converter in Aperture is no better than shooting in JPEG format, then it has little appeal over iPhoto as a professional’s tool. This isn’t something that can be fixed overnight either. Adobe’s Camera Raw and other programs like Capture One have been years in the making and unless Apple buys up some quality RAW technology and drops it into the 1.5 update, you’re not going to see Aperture rival the professional RAW apps any time soon.

The problems continue for basic features like Unsharp Mask combining with this type of post-import noise to produce lots more artifacts for basic editing tasks. Also missing are a true ‘curves’ tool – only a 4-step levels tool exists. And a pixel sampler is also absent, something most pros want to see in their basic workflow. To me, this app would need to provide the basic tools I need to import, ouptut galleries, prints, etc plus organize, do basic color and exposure correction, plus minimal unsharp mask tools. If, however, the RAW issue is pervasive and real, Apple may have jumped the gun on releasing this latest application. To sum it up, Ars closes as follows:

I’d like to get excited about things like instant books and the light table, but if the base technology in Aperture is flawed, it can’t be the high-end imaging hub it wants to be.

Ouch! Even with all these problems, if Aperture helps deal more fluidly with the  22k+ images in my iPhoto library, it will be a godsend.

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Widening our view of Aperture

This is a good read. Rob Galbraith digs more deeply into Apple’s Aperture due later this month. In addition to looking at many of the features in more detail, Rob has some interesting conclusions about how the new app compares with other programs in this category. And he obviously concludes that Photoshop remains safe and sound, but seems to think this will be a great addition to many shooters workflow setups.

Rob Galbraith DPI: Bringing Aperture into focus

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PhotoBooth, FrontRow

It didn’t take long. Both FrontRow (Apple’s 10-foot multimedia
interface) and PhotoBooth (another cute Mac app designed to take snaps
of a user a la an old school photo booth) have been modified to work on
most any Mac, not just the latest iMac with the built in IR/iSight.
Here’s a snap of yours truly using the ‘Pop Art’ filter via a G5 with an external iSight.

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